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Mr Norris Changes Trains, by Christopher Isherwood
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First published in 1933, the novel portrays a series of encounters in Berlin between the narrator and the camp and mildly sinister Mr. Norris. Evoking the atmosphere in Berlin during the rise of the Nazis, the novel has achieved the status of a modern classic.
- Sales Rank: #1413588 in Books
- Published on: 2005-02-22
- Released on: 2005-02-22
- Formats: Import, International Edition
- Original language: English
- Number of items: 1
- Dimensions: 7.81" h x .37" w x 5.12" l, .39 pounds
- Binding: Paperback
- 240 pages
Review
"Isherwood sketches with the lightest of touches the last gasp of the decaying demi-monde and the vigorous world of Communists and Nazis, grappling with each other on the edge of the abyss" Sunday Telegraph "What the Berlin stories retain, to a unique degree, is the ability to tell us what it really felt like then - to feel involved with the Germans and still to find that they retained their mystery; to be in the mode, yes, of a camera, and yet to be furiously, hopelessly involved" -- James Fenton "The first literary novel that really switched me on was Christopher Isherwood's Mr Norris Changes Trains" -- Chris Pattern Daily Mail "He immortalised Berlin in two short, brilliant novels both published in the Thirties, Mr Norris Changes Trains and Goodbye To Berlin, inventing a new form for future generations - intimate, stylised reportage in loosely connected episodes" Daily Express "Mr Norris Changes Trains brought him recognition as one of the most promising young writers of his generation" The Times
About the Author
Christopher Isherwood was born at High lane, Cheshire, in 1904. He left Cambridge without graduationg, tried briefly to study medicine and in 1928 published All the Conspirators, followed by a second novel, The Memorial in 1932. From 1928 onwards he lived mostly out of England: four years in Berlin, five in various European countries including Portugal, Holland, Belgium and Denmark. In 1939 he went to California, which became his home for the rest of his life. His Berlin experiences produced two novels, Mr Norris Changes Trains (1935) and Goodbye to Berlin (1939). Isherwood worked with the American Friends Service Committee during part of the war. In 1946 he became a US citizen. Following his move to America he wrote five novels - Prater Violet, The World in the Evening, Down There on a Visit, A Single Man and A Meeting by the River; a travel book about South America, The Condor and the Cows; and Ramakrishna and his Disciples, a biography of the great Indian mystic. In 1971 he published Kathleen and Frank, a book based on the correspondence of his parents and his mother's diary, in 1977 Christopher and his Kind, an autobiographical account of the years 1929 to 1939, and in 1980 My Guru and His Disciple, the story of his friendship with the Swami Prabhavananda. He died in 1986.
From AudioFile
British-born Christopher Isherwood mined a lot of literary gold from his decadent, bohemian youth in Weimar Berlin, most notably the two autobiographical novel here, affectionately narrated by Alan Cumming. Cumming clearly enjoys this work, which is nicely suited to his strengths--theatricality, characterization, exuberance, facility with the German accent. Y.R. (c)AudioFile, Portland, Maine
Most helpful customer reviews
0 of 0 people found the following review helpful.
Sex and Spying In The Weimar Republic
By Lady Fancifull
Christopher Isherwood, inextricably associated with W.H.Auden and Stephen Spender, represents a kind of educated, literary, urbane Englishness, but with interests outside provincial England. Left wing, fairly openly homosexual (when it was illegal) intellectual, finely crafted poets, playwrights and or novelists. And sometimes moving between more than one genre, and even collaborating as writers.
Cambridge educated – though he never finished his degree, Isherwood was drawn to the decadent, artistically modern, politically volatile city of Berlin at the tail end of the twenties and early thirties.
In this book, - and in his more well-known one, Goodbye to Berlin – mainly because it was later turned into the movie, Cabaret – he recounts his experiences in that city, as political instability intensified, and lines of allegiance became sharply drawn, and the Nazi party, initially regarded as a kind of loony fringe, not to be taken seriously, began its terrifying rise.
Isherwood casts himself as William Bradshaw, a young man, eager for the experience of living in another country, earning his living by teaching English to private students. Bradshaw meets the eponymous Mr Norris, striking up a conversation with him as a way to pass time on a long train journey.
“As he spoke he touched his left temple delicately with his finger-tips, coughed, and suddenly smiled. His smile had great charm. It disclosed the ugliest teeth I had ever seen. They were like broken rocks”
Norris is another Englishman, middle-aged, dissolute, clearly a not-to-be trusted wheeler-dealer of some kind, but his distinctly eccentric physical persona, and a strangely appealing charm, despite the obvious dishonesty, amuse Bradshaw, and the two form an unlikely friendship. Norris’s fastidious oddness - the wearing of bizarre wigs and an obsessive attention to prinkings and powderings not usually found at that time openly engaged in by English men, certainly not in England, is typical of the Berlin experience – decadent, sophisticated and utterly unprovincial, which proved alluring about to those seeking a more colourful, even dangerous, European experience. Norris, it later transpires, has predilections for a kind of wholesome sexual deviancy – he is open about his relations with a dominatrix and her ‘minder’ a young man who is a member of the Communist Party. It fact Anni, the whore, AND her minder Otto, are regarded as friends by Norris.
Political affiliations are centre stage everywhere. Isherwood, and Norris choose the Left, even though Norris is not necessarily, ever, quite what he seems, and may have fingers in many pies, as he also has some friends whose political allegiance seem to belong more naturally to the right.
What is marvellous about Isherwood’s writing, a kind of story telling journalism, an exploration of what it was like to be in Berlin, is that although he is undoubtedly writing about a period which became very dark and very dreadful, the second of his Berlin books, particularly, this is the undercurrent, flowing underneath a brilliant, light-touch observation. A sense of frenetic life, liveliness, wit and urbanity drive the book along, there is certainly more than a touch of fiddling whilst Rome burns about the Weimar republic.
Norris himself is a quite extraordinary creation, and, just as Bradshaw is Isherwood’s novelising himself, Norris has a real origin – a friend of Isherwood’s, Gerald Hamilton, also a writer, and once known as ‘the wickedest man in Europe’. Hamilton was served time in prison for bankruptcy, theft, being a threat to national security, and, interestingly, numbered amongst his friends not only Isherwood himself, but the unlikely combination of Winston Churchill and Aleister Crowley!
The reader quite falls, as Bradshaw does, under his dubious charm, and it is a strange experience to find oneself appreciating the strange moral ambiguity of someone who would undoubtedly sell his own grannie to the highest bidder, yet, somehow, even whilst grannie might even know that herself, he comes across as naughty, rather than vicious. Or, as Isherwood/Bradshaw puts it, so much more elegantly at the start of the novel:
“My first impression was that the stranger’s eyes were of an unusually light blue. They met mine for several blank seconds, vacant, unmistakably scared. Startled and innocently naughty, they half reminded me of an incident I couldn’t quite place; something which had happened a long time ago, to do with the upper fourth classroom. They were the eyes of a schoolboy surprised in the act of breaking one of the rules. Not that I had caught him, apparently, at anything except his own thoughts; perhaps he imagined I could read them”
11 of 13 people found the following review helpful.
Alan Cumming has SUCH passion for Isherwood!
By A Customer
I have a bunch of audio books narrated by Alan Cumming, and I have to say that Mr. Norris Changes Trains and Goodbye To Berlin are the two best I ever heard. Maybe it's because that Alan was the Emcee in the musical Cabaret, for which these two books lent inspiration to. But for whatever reason, Alan brings you into the magical world of divine decadence in pre-war Berlin with Arthur Norris, the ideal of an enigma; Fraulein Schroeder, the chatty, light and amusing landlady; Otto and Anni, the next generation of Germans; and of course the narrator Chris. Alan knows what he's reading and because of his divine comprehension, he makes the recording sound so much more fun and enjoyable to listen to!
2 of 2 people found the following review helpful.
Take a trip to 1930s Berlin
By mar2194
After sitting on my bookshelf at work for a number of months, I finally decided to crack "Mr. Norris Changes Trains" open. Having already read "A Single Man," I was fairly well acquainted with Isherwood's prose and style. The hook in the beginning is a little fleeting and this is why I had put off reading MNCT for so long - because I found the first couple of pages hard to engage with. However, after getting past the introductory hump, I found this book hard to put down. MNCT gives a curious account and some insight into pre-WWII Berlin, the life of some British ex-pats living there, the German Communist Party and the Nazis. In line with Isherwood's other works, descriptions are light and airy rather than overdone to the point that they become meaningless, and they allow the story to continue easily. After doing some research on this book, I found out that Isherwood was largely ashamed by MNCT later in life because "he had lied about himself through the characterization of the narrator and that he did not truly understand the suffering of the people he had depicted." While the author's later disillusionment with his own work might have some basis in reality, I found MNCT to be enjoyable nonetheless. Excellent read, highly recommended.
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