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"Psychology helps us to talk about what the novelist knows, but fiction helps us to know what the psychologist is talking about." So writes the author of this brilliant study. The chief impulse of realistic fiction is mimetic; novels of psychological realism call by their very nature for psychological analysis. This study uses psychology to analyze important characters and to explore the consciousness of the author and the work as a whole.
What is needed for the interpretation of realistic fiction is a psychological theory congruent with the experience portrayed. Emerging from Paris' approach are wholly new and illuminating interpretations of Becky Sharp, William Dobbin, Amelia Sedley, Julian Sorel, Madame de Renal, Mathilde de la Mole, Maggie Tulliver, the underground man, Charley Marlow, and Lord Jim.
The psychological approach employed by Paris helps the reader not only to grasp the intricacies of mimetic characterization, but also to make sense of thematic inconsistencies which occur in some of the books under consideration. For students of human behavior as well as students of literature, the great figures of realistic fiction provide a rich source of empathic understanding and psychological insight.
- Sales Rank: #4615655 in Books
- Published on: 2010-03-01
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .69" w x 5.98" l, .97 pounds
- Binding: Paperback
- 326 pages
Review
Paris’s “advocacy of the ‘third force’ psychologies of Abraham Maslow and Karen Horney is an attempt to break with the old dispensation and its monopoly of literary fields . . . . It seems probable, then, that Paris’s readings will serve in the future introductory models of responsible, self-critical analysis in the psychological mode.” — Mark Spilka, Novel: A Forum on Fiction
�“Mr. Paris’ carefully written study has the double merit offering stimulating insights into several works of great fiction while also elaborating upon . the body of theoretical literature on the novel as a genre . . . . [The] individual chapters of analysis are almost uniformly excellent . . Mr. Paris stresses the notion that the novel represents what is, not what should be, and that novelists are perfect observers, not perfect oracles.” — Richard Weisberg, Modern Fiction Studies
About the Author
Bernard J. Paris is professor emeritus of English at the University of Florida. His fields of interest include Victorian and comparative fiction and the psychological study of literature. He is author of numerous books, including Rereading George Eliot, Heaven and Its Discontents: Milton’s Characters in Paradise Lost, Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His Plays, and A General Drama of Pain: Character and Fate in Hardy’s Major Novels.
Bernard J. Paris is professor emeritus of English at the University of Florida. His fields of interest include Victorian and comparative fiction and the psychological study of literature. He is author of numerous books, including Rereading George Eliot, Heaven and Its Discontents: Milton’s Characters in Paradise Lost, Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His Plays, and A General Drama of Pain: Character and Fate in Hardy’s Major Novels.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Karen Horney meets realistic fiction
By R. Schwenk
Readers of Thackeray, Stendhal, George Eliot, Dostoevsky, and Conrad will find this book to be an excellent introduction to the ideas of Karen Horney, a post-Freudian psychoanalyst whose theory of personality structure lends itself well to studies of authors of realistic fiction and their characters. See [...] for the home page of the International Karen Horney Society. The author has the ability to re-articulate her ideas concisely; see also Karen Horney: A Psychoanalyst`s Search for Self-Understanding.
Karen Horney's theory of the neurotic personality, which today would be called an Axis-II personality disorder, has the virtue of being synchronic. This means that she describes the personality in terms of its present-day structure and forces without relying on any knowledge about the origins of these dysfunctions. In this book, Bernard Paris analyzes the main characters as well as the "implied authors" of several well-known works of fiction. His argument is that authors who create sufficiently realistic characters cannot help but endow them with personality structures amenable to a Horneyan analysis. The discussions of Vanity Fair (Barnes & Noble Classics) and Notes from the Underground are particularly fascinating.
Those who have read Horney's books (for example, Our Inner Conflicts: A Constructive Theory of Neurosis) will definitely want to read this book. It will enrich your understanding of her theory and make you eager to read the books discussed.
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